The Spanish American Was
In Motion Pictures on CD

This presentation features 68 motion pictures produced between 1898 and 1901 of the Spanish-American War and the subsequent Philippine Revolution. The Spanish-American War was the first U.S. war in which the motion picture camera played a role. These films were made by the Edison Manufacturing Company and the American Mutoscope & Biograph Company and consist of actualities filmed in the U.S., Cuba, and the Philippines, showing troops, ships, notable figures, and parades, as well as reenactments of battles and other war-time events.

Here are the movies on this CD

10th U.S. Infantry, 2nd Battalion, leaving cars - Hurrah--here they come! Hot, dusty, grim and determined! Real soldiers, every inch of them! No gold lace and chalked belts and shoulder straps, but fully equipped in full marching order: blankets, guns, knapsacks and canteens. Train is in the background. Crowds of curious bystanders; comical looking [Afro-American] "dude" with a sun- umbrella strolls languidly in the foreground, and you almost hear that "yaller dog" bark. Small boys in abundance. The column marches in fours and passes through the front of the picture.	Admiral Dewey leading land parade, no. 2 - We equipped eight parties on the occasion of Admiral Dewey's arrival in New York Harbor, Wednesday, September 27th, 1899, and secured the following excellent moving pictures of the Admiral and his great ship, together with the stirring events of Dewey Day, September 29th, the day of the Naval Parade, and Dewey Day, September 30th, the day of the Land Parade. Ours was the only photographic apparatus on board the U.S. Cruiser Olympia on this memorable occasion. The Admiral posed especially for our camera.
71st Regiment, Camp Wyckoff - Of the thousand and more men who left New York for the Cuban Campaign, scarcely three hundred were able to shoulder their rifles to march before the Biograph camera at Camp Wikoff. The picture shows many of the companies reduced to seven or eight men, and the whole regiment, rank and file is in a sad condition.	9th Infantry boys' morning wash - Imagine forty or fifty soldier boys each with a pail of water on the ground before him, sousing and spattering and scrubbing away for dear life. Soap and towels too. Every man jack of them looks as if he were enjoying the wash immensely, and also the novelty of having his picture taken. The big fellow in the center of the picture is laughing heartily.
Admiral Dewey landing at Gibraltar - Filmed ca. Sept. 5, 1899, when Admiral Dewey stopped off at Gibraltar on his way to New York City and the first of his homecoming celebrations.	Admiral Dewey leading land parade - On Riverside Drive; showing Naval Brigade of North Atlantic Fleet, followed by Schley, Sampson, Miles, and other celebrities. The Admiral is in carriage with Mayor Van Wyck.
25th Infantry - Gen. Frederick D. Grant and Gen. A.S. Burt [commander of the 25th Infantry Regiment] returning from Mt. Ariat [sic], at the head of the famous 25th Infantry.	Admiral Dewey receiving the Washington and New York committees - Showing Committee of Arrangements' visit to the Admiral on board the U.S. Cruiser Olympia.
Astor Battery on parade - As they appeared in New York on Saturday, January 21 [sic], 1899, on their return from active service in the Philippines. The picture is taken as they cross Broadway, Union Square, north. First come the mounted police, proud and prancing, then the band, then the famous Astor Battery, marching twenty-four abreast. As the second file approaches, the order is given to "change arms" and the rifles shift from right to left shoulder. The men march well, with rapid gait, and present a fine spectacle, dressed in their long dark overcoats. A group of ladies on a balcony wave their handkerchiefs, and the crowds that line the sidewalks show their enthusiasm. As the Battery passes out of sight, men and boys run across the street, and a hansom cab brings up the rear.	Advance of Kansas Volunteers at Caloocan - From the thick underbrush where the Filipinos are massed comes volley after volley. They are making one of those determined stands that marks Caloocan as the bloodiest battle of the Filipino rebellion. Suddenly, with impetuous rush, Funston's men appear. They pause but for a moment, to fire, reload and fire. The color bearer falls, but the standard is caught up by brave Sergeant Squires and waves undaunted in the smoke and din of the receding battle. This is one of the best battle pictures ever made. The first firing is done directly toward the front of the picture, and the advance of the U.S. troops apparently through the screen is very exciting; the gradual disappearance of the fighters sustaining the interest to the end.
Aguinaldo's navy - A splendid scene, showing a large number of curious Filipino boats being worked on the Pasig River near Manila by natives.	Admiral Dewey taking leave of Washington committee on the U.S. cruiser "Olympia" - Showing the gallant Admiral standing directly in front of the camera, life size, his head bare, graciously bidding his guests adieu. This was exhibited at Eden Musee and Koster and Bial's, New York, to 18,000 people the next day after the picture was taken.
Capture of trenches at Candaba - The Filipinos execute a flank movement and re-occupy the trenches, cutting off the advance guard of Americans. The rebel flag waves over the ditch and they defend their position bravely. A fierce charge by our soldiers makes them give way and they scatter in all directions. The officer in command pays dearly for his desperate sortie. Just as his horse clears the embankment the officer throws up his hands and falls backward with a crash; while the riderless horse dashes off toward the American lines.	Burial of the "Maine" victims - Taken at Key West, Fla., March 27, 1898. First comes a detachment of sailors and marines in the left foreground, while at the right is seen a crowd of small colored boys, which precedes any public procession in the South. Then follow the nine hearses, each coffin draped with THE FLAG. At the side of each wagon walk the pall bearers, surviving comrades, their heads bowed in attitudes of grief. Next come naval officers and marines, and lastly a procession of carriages, followed by a large crowd on foot.
Blanket-tossing a new recruit - Company F, 1st Ohio Volunteers, initiating a new man. Nineteen times he bounces in the blanket, and each toss is funnier than the last one.	Close view of the "Brooklyn," naval parade - Schley's flagship at close range, showing shot hole in the middle of funnel, near deck. She flies a frayed and tattered battle flag.
Colonel Funston swimming the Bagbag River - A fictionalized reenactment of an incident in the Spanish-American War when an American officer swam the Bagbag River despite the presence of enemy soldiers on the opposite shore. He jumps into the river under cover of fire by his men at the enemy, leading some on a raft, and eventually the American flag is unfurled in victory.	Colored troops disembarking - The steamer "Mascotte" has reached her dock at Port Tampa, and the 2d Battalion of Colored Infantry is going ashore. Tide is very high, and the gang plank is extra steep; and it is laughable to see the extreme caution displayed by the soldiers clambering down. The commanding officer struts on the wharf, urging them to hurry. Two boat stewards in glistening white duck coats, are interested watchers--looking for "tips" perhaps.
Filipinos retreat from trenches - An incident of the Battle of the Trenches at Candabar [sic]. The enemy threw up a high earth embankment during the night, and are defending it with great stubbornness. The pits are crowded with Filipinos, who fire volley after volley. The artillery of the Americans plays havoc with their ranks and they fall back, leaving many dead. Their retreat is hotly covered by a company of U.S. Infantry, with mounted officer. They tumble over the embankment into the trench, fire a volley and advance. The officer carefully examines the earthworks, his horse picking his way cautiously over the bodies of the fallen foe.	Cuban refugees waiting for rations- A group of escaped reconcentrados, saved from the fate of starvation imposed by the Butcher, Weyler. They stand in line waiting, each man with his tin dish and cup. One expects to see just such men as these, after the centuries of Spanish oppression and tyranny. As they come forward, their walk, even, is listless and lifeless. The picture affords an exceedingly interesting racial character study. At one side stands a group of officers from the camp near by, accompanying several ladies who are seeing the sights.
Cuban volunteers embarking - Filmed June 8, 1898, in Tampa, Florida.	The dandy Fifth - Taken during the land parade in honor of Admiral Dewey, just before the turn into 72nd Street, with Grant's tomb and decorated residences in the background.
The Dewey arch - A view of the arch from Fifth Avenue,the day after the great Dewey parade, showing the crowd of sight-seers, traffic, etc.	Cuban ambush - From the upper windows of a ruined mill the Cubans fire at a scouting party of Spaniards, who return the volley.
The fleet steaming up North River - Shows the "Brooklyn," flying Schley's twin-starred blue flag. Every detail brought out with wonderful clearness. Excursion craft in the distance. Bow of the "Indiana" appears toward end of film.	General Lee's procession, Havana - A magnificent view of the Prado, from the balcony of the United States Club. The procession is headed by a troop of horsemen. Prominent among them is General Lee. Then come the soldiers, file after file and company after company; filling the broad avenue from curb to curb and as far as the eye can reach with marching men. It is the Seventh Army Corps. Great crowds of people fill the sidewalks; and through the trees that line the promenade in the middle of the Prado, are seen carriages and vehicles following the parade. The crowning event of the Spanish-American war! The great procession on Evacuation Day.
General Wheeler and Secretary Alger - This picture was taken in front of Gen. Wheeler's headquarters at Camp Wikoff during Gen. Alger's tour of inspection of the camp. The two distinguished military men are seen overlooking the immense camp ground, and then turning and walking toward the camera.	Governor Roosevelt and staff - Taken during the land parade in honor of Admiral Dewey, just before the turn into 72nd Street, with Grant's tomb and decorated residences in the background.
An historic feat - Gen. Franklin Bell's famous mule pack train swimming the Agno River in Northern Luzon. This is one of the most notable incidents of the Philippine War.	Major General Shafter - The commander of the 5th Army Corps rides forward with a party of officers. He wears a white helmet, a broad expanse of shirt bosom and a general air of avoirdupois.
Love and war - An illustrated song telling the story of a hero who leaves for the war as a private, is promoted to the rank of captain for bravery in service, meets the girl of his choice, who is a Red Cross nurse on the field, and finally returns home triumphantly as an officer to the father and mother to whom he bade good bye as a private. The film presents this beautiful song picture in six scenes, each of which has a separate song, making the entire series a complete and effective novelty. PARTING. -- "Our hero boy to the war has gone." Words and music. CAMPING. -- "What! A letter from home." Words and music. FIGHTING. -- The battle prayer. "Father, on Thee I Call." Words and music. CONVALESCING. -- "Weeping, Sad and Lonely." Words and music. SORROWING. -- The mother's lament, "Come back, my dear boy, to me." Words and music. RETURNING. -- When our hero boy comes back again. Hurrah! Hurrah! "Star Spangled Banner." Words and music.	McKinley and party - This picture has been very popular wherever it has been shown on the Biograph. To begin with, the film is unusually fine photographically, and the picture is taken from a point of view which shows the immense distances of Camp Wikoff with its multitude of tents in the background. The President, with Vice-President Hobart and Secretary of War Russell A. Alger, appear in an open carriage escorted by a large number of officers, notable among whom are Gen. Wheeler, Gen. Gates, and Col. John Jacob Astor. This picture is brought to a rather humorous ending by the efforts of a newspaper photographer to get Col. Astor to pose for a picture. He is unsuccessful, and as the gallant colonel gallops away, the photographer's chagrin is apparent.
Military camp at Tampa, taken from train - A wide plain, dotted with tents, gleaming white in the bright sunshine. Soldiers moving about everywhere, at all sorts of duties. In the background looms up a big cigar factory; giving the prosaic touch to the picture needful to bring out in sharp contrast the patriotism with which the scene inspires us.	Morning colors on U.S. cruiser "Raleigh" - Shows a group of sailors and an officer at the stern. The flag runs out in a ball to the end of the staff, and, at the signal, is broken. Proudly the stars and stripes wave in the morning breeze, while the officer salutes. A very pretty picture of man-o-war life.
Morro Castle, Havana Harbor - A most excellent picture of the grim old fortress which stands at the entrance of Havana Harbor. The high ramparts and lofty battlements look very formidable. Parts of the stronghold date back to the seventeenth century. While the yacht from which the picture is taken sails around the promontory, an excellent view is afforded of the entire fortress. Waves are seen dashing up against the rocks at the foot of abutments. The lighthouse and sentry-box are so near that the guard is plainly seen pacing up and down. The photograph is excellent; and in view of a probable bombardment, when the old-fashioned masonry will melt away like butter under the fire of 13-inch guns, the view is of historic value.	N.Y. Journal despatch yacht "Buccaneer" - Shows the despatch boat of the "New York Journal" steaming through the water, having aboard the war correspondents. This is one of the fastest yachts engaged in the business. She approaches rapidly and as she cuts through the sea her prow throws the water in a white spray on either side. This is an excellent picture of a good subject. The bow waves are especially fine.
Observation train following parade - There were two freight trains standing on the tracks between the river and the Riverside Park, and they furnished a perfect impromptu observation train service to the men and boys who clambered up on the cars to get a view of the [Sampson homecoming naval] parade. They saw the vessels go up and then waited for their return. As the ships came back the engineer of one of the trains started it for the freight yards at Thirty-Third Street, and a crowd of about 2,000 was carried along, perched up on the roof of the cars.	Sampson and Schley controversy--tea party - This subject is in three scenes, showing beautiful dissolving effects. Scene 1 shows Admiral Schley upon the bridge of the Brooklyn commanding the American Fleet in Santiago Harbor. The Spanish fleet is seen to emerge from Santiago Harbor. Simultaneously ships and forts open fire on the American fleet. Scene 2. The Man Behind the Gun. The gun crews are seen manipulating a 13-inch gun repeatedly with terror to Cervera's fleet; one of Cervera's fleet is seen to sink directly from the results of the Brooklyn's firing. A shell is seen to burst among the crew, wounding one of its members. Scene 3. The Man Behind the Teacup shows Admiral Sampson the centre of attraction of a group of old maids at an afternoon tea party.
Packing ammunition on mules, Cuba - Dotting the horizon on the right of the picture is the great fleet of transports, while scattered all along the beach and piled high to the left are hundreds upon hundreds of ammunition cases. Soldier boys in the foreground are packing the boxes on the patient army mules. An officer stands by bossing the job. Two boxes are tied on each mule.	Parade of marines, U.S. cruiser "Brooklyn" - First comes the famous Marine Band of the "Brooklyn," with the mascot goat alongside the bass drum. The 300 marines follow in rapid marching order, a sixteen file front in each company.
President Roosevelt and the Rough Riders - This picture shows Col. Roosevelt, accompanied by Lieut. Greenway and other prominent officers of the Rough Riders, galloping up to his headquarters, where he dismounts and walks into his tent. This view was taken in the camp with the Rough Riders, and is an excellent picture of Col. Roosevelt in the environment he loves so well.	Raising Old Glory over Morro Castle - Down goes the Spanish flag, and up floats the Stars and Stripes. Down falls the symbol of tyranny and oppression that has ruled in the new world for four hundred years, and up goes the Banner of Freedom. In the distance are the turrets and battlements of Morro, the last foothold of Spain in America.
Reviewing the "Texas" at Grant's Tomb - Shows every detail of the "Texas" as she passes Riverside Park. The background shows the white dome of the tomb on the hill crest.	Roosevelt's Rough Riders - A charge full of cowboy enthusiasm by Troop "I," the famous regiment, at Tampa, before its departure for the front.
Roosevelt's Rough Riders embarking for Santiago - Filmed June 8, 1898, in Tampa, Florida.	Pack mules with ammunition on the Santiago Trail, Cuba - A great pack train approaches rapidly, following the gray bell-mule. Cowboys dash to and fro, keeping them bunched. Clouds of dust arise as they pass.
Sampson-Schley controversy - This subject is in three scenes, showing beautiful dissolving effects. Scene 1 shows Admiral Schley upon the bridge of the Brooklyn commanding the American Fleet in Santiago Harbor. The Spanish fleet is seen to emerge from Santiago Harbor. Simultaneously ships and forts open fire on the American fleet. Scene 2. The Man Behind the Gun. The gun crews are seen manipulating a 13-inch gun repeatedly with terror to Cervera's fleet; one of Cervera's fleet is seen to sink directly from the results of the Brooklyn's firing. A shell is seen to burst among the crew, wounding one of its members. Scene 3. The Man Behind the Teacup shows Admiral Sampson the centre of attraction of a group of old maids at an afternoon tea party.	Secretary Long and Captain Sigsbee - Taken at Washington, in front of the Navy Department, and shows Secretary of the Navy Long and Captain Sigsbee of the ill-fated "Maine" coming down the steps. As they reach the bottom a waiting attaché approaches the Secretary and hands him a letter. In the meantime Capt. Sigsbee and his friend walk toward the immediate foreground, in earnest conversation. They are quickly joined by the Secretary and the attaché. Here they halt and apparently debate some important question. Additional action is lent to the scene by ladies and gentlemen descending the steps. The background is formed by the handsome building of the Navy Department. The figures are full life size, and are excellent portraits of the famous Captain and the Secretary.
Shooting captured insurgents - A file of Spanish soldiers line up the Cubans against a blank wall and fire a volley. The flash of rifles and drifting smoke make a very striking picture.	Skirmish of Rough Riders - Shielded by a thick bit of timber at a turn of the road stands a company of mounted men, awaiting the order to advance. In the foreground, left as the flotsam of battle, is a dead horse from the shelter of which two marksmen are picking off the enemy. Suddenly comes the command, "Forward," and the riders dash up the road, out of sight, leaving behind them a great cloud of dust and smoke. A detachment of infantry covers the advance, and volley repeatedly as they press forward.
Soldiers washing dishes - Filmed ca. May or June 1898 in Tampa, Florida.	Trained cavalry horses - Shows the wonderful intelligence of these Troop F, 6th U.S. Cavalry, horses. At a command they lie down promptly, and at another order scramble to their feet.
Transport "Whitney" leaving dock - This boat was the first one to leave for the South with troops. On board is a battalion of the 5th U.S. Infantry. She is a sidewheeler, and the churn of her wide paddles makes the white foam seethe and boil as she backs out of the dock. The constant seesaw of the walking beam on the upper deck, the moving men on board and the boiling, bubbling water all combine to make the spectacle one of much interest.	Troop ships for the Philippines - Shows the departure from San Francisco of two troop ships, the S.S. Australia and the S.S. City of Sydney, bound for Manila during the Spanish-American War. The first ship shown is the Australia with many troops on deck, some waving. The ship's name is visible on the hull at the end of the sequence. The second ship, the City of Sydney, is shown being escorted by two harbor tugs. These two steamships left San Francisco on May 25, 1898, along with a third troop ship, the S.S. City of Peking (not visible in the film).
Troops at evacuation of Havana - The troops are turning into the Prado from a side street, where stands a triumphal arch erected by the Cubans; but which Gen. Brooke, the Military Governor of Cuba, would not permit to be finished, as he allowed no demonstrations of any kind. The soldiers are the First Texas troops. The streets are crowded with people. Many typical Cubans are seen lounging in the foreground, with here and there a Spaniard, if one may judge by sour looks and solemn demeanor. The buildings are all low stone structures, with heavy barred windows, from which are displayed small Cuban flags. An excellent picture of life in Havana, New Year Day, 1899.	Troops embarking at San Francisco - This film shows troops of the First Regiment, California Volunteers, boarding the Pacific Mail steamer City of Peking to serve in the Philippine theater of the Spanish-American War. The film was shot at the Pacific Mail Steamship Company dock between 10:50am and 1:50pm on Friday, May 13, 1898. The dock was located at First Street between Brannan and Townsend streets, and is now a segment of First Street called Delancey Street in the newly-developed South Beach neighborhood. The camera is probably facing north, from the shade of the pier into bright sunshine. The film begins with flag-waving relatives in the foreground [Frame: 0108] that seem more interested in the camera than in the departing soldiers. The troops are seen climbing the gangplank with full travel kits and rifles [0787]. As the crowd watches the troops, at least one woman raises a handkerchief to her eyes [1059]. In the bright background between the ascending soldiers, troops are seen lining the ship's rails and a lifeboat is visible [1500]. On this midday, over a thousand troops boarded the City of Peking after marching across San Francisco from their bivouac at the Presidio army base. An estimated thirty thousand people watched the embarkation from the Pacific Mail dock and several nearby piers. After loading, the steamer pulled out into San Francisco Bay and re-anchored, awaiting the loading of two more steamers, the Australia and the Sydney, with the Oregon Volunteers and U.S. Army regulars. The fleet departed for the Philippines on Sunday, May 15. Built in 1874, the City of Peking was a long-serving 5,070-ton steamer of the Pacific Mail Steamship Company. The ship made 116 round trips between San Francisco and Hong Kong before being scrapped in 1920.
Troops making military road in front of Santiago - Shows 34th Michigan boys hard at work with pick and shovel, preparing the way for passage of siege guns.	U.S. battleship "Indiana" - Taken at the Dry Tortugas, and shows the most powerful fighting machine in the world to-day as she lies at anchor taking on coal. The decks are covered with marines and sailors. An immense barge lies along side, from which a large gang of negroes are hustling "King coal" into the battleship, on whose decks the coal passers run to and fro. The view is taken from a moving yacht and gives the effect of the vessel itself passing through the water. As the yacht passed the starboard quarter, the powerful 13-inch, 8-inch and 6-inch guns bristle from their turrets. She looks every inch of her great length, 348 feet.
U.S. battleship "Oregon" - This picture of the pride of the UnitedStates Navy was made on the occasion of the Peace Jubilee in New York City, and was takenfrom a tug passing the warship on its way up the North River. The entire crew are on deck, and abeautiful view of this wonderful craft is afforded.	U.S. cavalry supplies unloading at Tampa, Florida - Here is a freight train of thirty cars loaded with baggage and ambulance supplies for the 9th U.S. Cavalry. In the foreground a score of troopers are pulling, lifting and hauling an ambulance from a flat car. It slides down the inclined planks with a sudden rush that makes the men "hustle" to keep it from falling off. Drill engine on the next track darts past with sharp quick puffs of smoke.
U.S. cruiser "Olympia" leading naval parade - Filmed Sept. 29, 1899, during the Dewey naval parade on the Hudson River in New York City.	U.S. cruiser "Raleigh" - A panoramic view of the "Raleigh" as she lies at anchor off 27th Steet, North River, April 17, 1899. Captain Coghlan stands among a group of officers near the bridge. The "Raleigh" fired the first gun at Manila, and is the first boat of the Pacific Squadron visiting New York. All the details of the famous battleship are clearly shown as the launch from which the picture was taken moves rapidly around her.
U.S. Infantry supported by Rough Riders at El Caney - Up the road comes a detachment of infantry, firing, advancing, kneeling and firing, again and again. The advance of the foot soldiers is followed by a troop of Rough Riders, riding like demons, yelling and firing revolvers as they pass out of sight. Other troops follow in quick succession, pressing on to front.	U.S. troops and Red Cross in the trenches before Caloocan - Our troops have driven the Filipinos out of the trenches, and, after firing one or two volleys, press on in pursuit. The enemy returns the fire and the forward rush is marked by a trail of dead and wounded. Following close behind is the hospital corps. Stretchers are quickly brought out and the nurses tenderly care for the fallen and carry them to the rear.
U.S. troops landing at Daiquirí, Cuba - First U.S. Troops to land, June 22, 1898. Transports in the distance. Soldiers clamber up from boats on the long railroad pier and come forward.	Vizcaya" under full headway - A splendid picture of the pride of theSpanish navy, taken on the occasion of her visit to New York Harbor, when her captain hinted athis ability to blow holes through New York's sky-scrapers. In this picture the vessel makes a verybeautiful appearance steaming out to sea under full headway. But what a contrast to a laterBiograph picture when the vessel was a smoking hulk wrecked on the shore of Cuba, battered topieces by the guns of the Oregon.
War correspondents - Shows a phase of the war excitement as it affects newpaper men at Key West, Florida. About a dozen war correspondents of the different New York papers are running up the street in a bunch to get to the cable office to get copy of cablegrams to be in turn transmitted to their different papers. They rush directly toward the audience, turn a corner in the immediate foreground and disappear down a side street. A good-natured struggle occurs here, to see who will make the turn first. Curious natives watch the unusual scene. A horse and carriage follow at a seemingly slow pace, showing by comparison what a rapid head-on foot race has been witnessed. 50 feet.	Wounded soldiers embarking in row boats - This picture was taken after the battle ofLas Guaymas, and shows a large number of wounded soldiers embarking in a rowboat from anextemporized dock, on their way to the hospital ship "Olivette." A high sea was rolling in at thetime, which made embarkation exceedingly difficult, and the pitiful condition of the woundedsoldiers under such conditions can readily be imagined.
Wreck of the "Vizcaya" - This is a wonderfully impressive picture, taken on the morning after the battle in which the Spanish navy was destroyed. This battleship, once the "Pride of Spain," is shown a ruined hulk on the beach, the terrible effect of the guns of Uncle Sam's warships being apparent everywhere. Contrasted with our earlier picture of the "Viscaya" in New York Harbor ["Vizcaya" under full headway], the "Viscaya" here presents a woeful appearance.	Wreck of the battleship "Maine" - Taken in Havana Harbor from a moving launch, and shows the wreck of the "Maine" surrounded by wrecking boats and other vessels. The warped and twisted remains show how thoroughly this immense mass of iron and steel was blown out of all semblance of a vessel. The background of this picture is formed by the shores of Havana Harbor, and as the yacht moves around, a panoramic view of the shores adds an interesting feature.

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